by Will Stanton » Wed Apr 21, 2021 6:01 pm
After a minute, Will reached for his standard bass and started jamming along, letting the track reach it's end and then continuing on, shifting from the Fleetwood Mac chord progression to Shane's more standard blues-rock chords.
A couple of them clashed, Shari's bright saxophone playing occasionally coming up against the flats and minor notes in the blues, but not exceptionally so -- in fact, the clashes sort of worked. It definitely was a step away from Zeppelin-esque stuff, but in a way that sounded modern, exciting and interesting. It may not be exactly what Shane had pictured when he was writing the song, but it seemed like it just might work...